Once more, Kate Summerscale shatters our preconceptions of a classic crime -- Val McDermid
Summerscale captures all the horrible fascination of Christie's crimes, but also expertly situates them in their troubled post-war setting. The result is a gripping account of murder, misogyny and spectatorship that has implications well beyond the tragic orbit of the case itself. A haunting, thought-provoking, deeply unsettling book -- Sarah Waters, author of FINGERSMITH
There are few authors whose work I look forward to as much as Kate Summerscale's, and The Peepshow does not disappoint. It is a forensic reappraisal of a grimy episode in postwar British history; at once shocking, impeccably researched, lucidly written and always utterly compelling -- Graeme Macrae Burnet, author of HIS BLOODY PROJECT
A crystalline, compelling account of a notorious crime ... Seamlessly blends the pleasures of a good novel with the enlightenment of masterly reportage. A gem -- Dominic Nolan, author of VINE STREET
I blame The Peepshow for too many late nights, when I simply couldn't put it down. Horrifying, intriguing and entertaining in equal measure -- Becky Holmes
The Peepshow is a masterclass in true crime storytelling. Stark and compulsive it tells a story both of murder and those who write about it in a way that is as relevant now as it was in the 1950's. Focused on the lives of those impacted and the victims of John Christie's terrible crimes, The Peepshow is hugely insightful about a time and place now long gone, yet incredibly familiar -- Jennie Godfrey, author of THE LIST OF SUSPICIOUS THINGS
This intelligent and implacable account of a notorious post-war horror proves that no established memory of the past is definitive. The Peepshow is ruthless for truth, for previously unregarded details that expose the true horrors of a conflicted landscape, internal and external. This re-visioning of a dark London nightmare has the rigour and complexity of the best novels -- Iain Sinclair
Kate Summerscale's multi-layered page-turner The Peepshow, which inverts the classic true crime structure, is masterful. The mystery is not who committed a series of murders in 1950s London but whether there had been a gross miscarriage of justice, as told through one tabloid reporter's attempt to redeem himself by revealing it. It's also an unflinching examination of the true crime industry - a look at the boundary between making visible the unseen and the exploitation of tragedy - and no one, not even the reader, escapes complicity -- Becky Cooper
Summerscale rebuilds the dark past with such captivating intelligence that she makes eyewitnesses of us all -- Laurence Scott
Gripping as a thriller and supremely atmospheric, The Peepshow gazes inside the murder house of 10 Rillington Place and reveals, beyond that, the bombed-out post-war Britain that this sad, sordid, significant case both fascinated and reflected. Superb story-telling from the queen of true crime -- Laura Thompson, author of TAKE SIX GIRLS
Quite apart from its superb pacing and prose, its deep social history, there is a brilliant strain of feminism * Laura Cumming (on X/Twitter), author of THUNDERCLAP *