Exceptional . . . Every detail rings true, every character is fleshy and real and heartbreaking . . . Magee has a remarkable talent * Sunday Times (Laura Hackett) *
Taut and impressive, unfaltering and deftly executed . . . [It] feels like that rarest of things: a genuinely necessary book * Guardian (Keiran Goddard) *
An exceptional debut destined for novel of the year shortlists * Irish Times (Martin Doyle) *
Michael Magee is a born storyteller. By the end of the novel I wanted to book a flight to Ireland just to walk around and imagine who was where . . . I read this in two or three sittings only because I wanted to slow down and spend more time with Magee's considered and companionate writing. I finished it only last month, but plan to take it with me abroad to enjoy it once more * Guardian '2023 Summer Reads' (Derek Owusu) *
A vision of a post-conflict Belfast that didn't deliver what it promised, blighted by poverty, pain and memory. But far from being bleak, I laughed out loud many times. And it is full of love. Each character is so vividly drawn that I felt like I had met them somewhere before; even the most flawed of them is treated with dignity and respect, and an absence of judgement that reminded me of Annie Ernaux. And the writing! Supple, rich and demotic - Kneecap meets Chekhov - no one else is doing this. I had great hopes for this novel and Michael Magee has booted it out of the park. Absolutely glorious. -- Louise Kennedy, author of 'Trespasses'
Unflinching, direct, disarmingly sensitive . . . Suffusing his narrative with honesty and grace, Magee succeeds in bringing his neighborhood to life for readers and suggests that, amid what seems like a never-ending struggle, there is always room for hope * The Washington Post *
Michael Magee's Close to Home, amazingly a first novel, is about what it's like to be young and working class right now in Northern Ireland, and is a tremendous read, tensed and immersive, punching the air between hope and despair, deeply decent, unputdownable * Guardian '2023 Summer Reads' (Ali Smith) *
Wonderful. A debut overflowing with years of experience and carefully worked craft. By turns hard-edged and soft-hearted, this novel is a gift from Michael Magee to us all -- Jon McGregor, author of 'Reservoir 13'
The message of Michael Magee's dead-on debut novel is universal. At its core, Close to Home is about finding a way to transcend the pain, the people and the place you're born into * The New York Times *
A complex and compassionate portrait of modern Belfast by an impressive new talent . . . Close to Home is a working class novel, an Irish novel, a bildungsroman, a novel about the self-congratulatory failures of Northern Ireland's political elite . . . [and a] sharp deconstruction of toxic masculinity * Times Literary Supplement *
Lucid and stirring . . . Magee's persistently evocative and beautifully matter-of-fact descriptions of Belfast's landmarks and people are intertwined with a sensitive awareness of the city's social, political and religious history * Literary Review *
A convincing, nuanced debut, bleak but powerful, marrying the thematic unsentimentality of Edouard Louis with prose reminiscent of Irvine Welsh * Sunday Independent *
A beautiful, rich, tough, kind portrait of a life in the balance. And a great study of masculinity, the brother, the friends, the long-lost dad. It's full of hope -- Russell T. Davies
Magee skilfully paints the landscape of a city still scarred by the Troubles . . . The book's themes - masculinity, class and history - don't offer easy resolutions. Instead, Magee deftly conveys the anxieties of a generation facing an uncertain future * Irish Times (Mia Levitin) *
A lyrical examination of masculinity, class, and poverty.